Reviews

The Idea of You review – a sultry unexpectedly entertaining romance

By Hannah Strong

Anne Hathaway plays a 40-year-old single mother who embarks on a torrid love affair with a 24-year-old pop star in Michael Showalter's schmaltzy but not without charm rom-com.

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The Fall Guy review – good stunts, appalling script

By Hannah Strong

In David Leitch's bombastic salute to the Hollywood stunt industry, Ryan Gosling becomes inadvertently embroiled in a nefarious plot while trying to regain the trust of his former lover.

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Blackbird Blackbird Blackberry review – a perfect lead performance

By David Jenkins

A happily single Georgian woman is forced to reconsider her life of solitude when she falls in love in Elene Naveriani's bittersweet romantic dramedy.

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Love Lies Bleeding review – hot, dirty, fast, combustible

By Hannah Strong

Kristen Stewart and Katy O'Brien are on fire as star-crossed lovers who get into a sweaty mess in Rose Glass's lurid '80s throwback thriller.

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Nezouh review – compassionate but needlessly convoluted

By Hamza Shehryar

Soudade Kaadan’s second feature is truistic yet forceful in examining the complexities of human suffering and confinement through a teenage girl stuck in the thick of the Syrian civil war.

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The American Society of Magical Negroes review – an undercooked, frustrating satire

By Hamza Shehryar

Less Harry Potter and more American Fiction, this politically charged satire is more banal than it first seems.

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Abigail – avoid the trailer for maximum, bloody pleasure

By Anton Bitel

A pack of hired goons get more than they bargained for in this inventive and nasty evil kid romp.

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If Only I Could Hibernate – a very fine first feature

By Hamza Shehryar

This Mongolian drama of a poverty-stricken young academic abandoned by his mother makes for a intriguing debut.

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All You Need Is Death review – a memorable fiction debut

By David Jenkins

A young couple get more than they bargained for when they translate a rare folk ballad in this effective Irish horror.

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Fantastic Machine review – there’s way too much going on here

By Savina Petkova

Maximilien Van Aertryck and Axel Danielson set out to investigate the implications of the camera, from its invention to the present day, with mixed results.

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Challengers review – everything is sex, except sex, which is power

By Hannah Strong

Zendaya, Josh O’Connor and Mike Faist play a trio of tennis players whose lives are inextricably connected in a complicated love triangle.

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Opponent – a searing, psychological immigrant drama

By David Jenkins

An Iranian immigrant in Sweden seeks solace in their national wrestling team in this riveting story of internal torture.

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Civil War review – sound without the fury

By Hannah Strong

Alex Garland's vision of a future America ravaged by conflict is impressively mounted but lacks political bite.

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Back to Black review – a pointlessly cruel hash of Amy’s life

By Rogan Graham

This miserable biopic claims to celebrate the life and music of Amy Winehouse, but instead serves as a ghoulish encapsulation of everything wrong with the music industry and fame machine.

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Close Your Eyes review – Erice only deals in masterworks

By David Jenkins

The legendary Spanish filmmaker returns with his first feature film in 32 years, which centres on the strange case of an actor who disappeared under mysterious circumstances.

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Monkey Man review – a ferocious, rough-hewn directorial debut

By Kambole Campbell

Dev Patel emerges as a compelling action star in his directorial debut Monkey Man, a scrappy revenge tale set in a fictionalised Indian city where corruption is rife.

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Io Capitano review – disassociation turned surreal fantasy

By Katherine McLaughlin

Two Senegalese teenagers embark on a perilous journey to Europe in Matteo Garrone's affecting drama about the migrant crisis.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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