by Charles Bramesco
The visionary director of The Northman talks scaling up production, his love of Viking culture, and the perils of working with a flock of birds.
by Justine Smith
The Dutch provocateur chats lesbian nuns, alternate realities and his undying love for Quentin Tarantino.
by David Jenkins
The director of Compartment No. 6 on the joys of filming on location – in this case, a vintage passenger train.
by Sam Moore
The producer of The Canyons and The Card Counter reflects on his experience working with one of Hollywood’s most outspoken auteurs.
by Leila Latif
As he plays an overwhelmed indie director in Judd Apatow’s Covid comedy, the actor talks stunts and believing there really are no small parts.
by Elena Lazic
The master of the erotic thriller talks Deep Water, his long absence, and working with Ben Affleck and Ana de Armas.
by Josh Slater-Williams
The star of Jacques Audiard’s Parisian drama reflects on her whirlwind journey from first-time actor to the Cannes red carpet.
by Hannah Strong
The writer/director of The Worst Person in the World ponders love, death and the possibility of a cosmic order to all things.
The beguiling star of Sebastian Meise’s Great Freedom reflects on his career so far and the future of cinema.
by Kambole Campbell
The man behind the return of Gotham’s favourite son reveals why Robert Pattinson was his first and only choice.
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